Columbus College of Art & Design

arms ache avid aeon: Chapter Four

Season ONE
Chapter FOUR: Feb. 20 – Mar. 17, 2019

arms ache avid aeon:
Nancy Brooks Brody / Joy Episalla / Zoe Leonard / Carrie Yamaoka:
fierce pussy amplified

arms ache avid aeon: A Symposium takes place Sat. March 2, 1-4 p.m. for more info, please go here.

Joy Episalla, Les Psychanalystes et le Marché, 2010-2015, 1-channel video, audio installation, aluminum benches, 78 min 29 sec, Dimensions variable. Photo: Stephen Takacs

 

LEFT WALL: Carrie Yamaoka, crawl/stretch, 2018, Flexible urethane resin on reflective vinyl, 86 x 48 in. 
RIGHT WALL: Joy Episalla, Skin 7, 2001-2018, Cotton, wood, 18 x 12 in.
FLOOR: Joy Episalla, Removed (1 of 5 parts), 2001-2002, Cotton batting, polyester, wood, metal
30 x 24 x 32 in. Photo: Stephen Takacs

 

Carrie Yamaoka, crawl/stretch, 2018, Flexible urethane resin on reflective vinyl, 86 x 48 in. Photo: Stephen Takacs

 

LEFT WALL: Joy Episalla, Skin 7, 2001-2018, Cotton, wood, 18 x 12 in.
RIGHT WALL: Joy Episalla, Les Psychanalystes et le Marché, 2010-2015, 1-channel video, audio installation, aluminum benches, 78 min 29 sec, Dimensions variable.
FLOOR: Joy Episalla, Removed (1 of 5 parts), 2001-2002, Cotton batting, polyester, wood, metal
30 x 24 x 32 in.
Photo: Stephen Takacs

 

WALL: Joy Episalla, Skin 7, 2001-2018, Cotton, wood, 18 x 12 in.
FLOOR: Joy Episalla, Removed (1 of 5 parts), 2001-2002, Cotton batting, polyester, wood, metal
30 x 24 x 32 in.
Photo: Stephen Takacs

 

CLOCKWISE FROM LEFT: Carrie Yamaoka, Zoe Leonard, Joy Episalla. Photo: Stephen Takacs

 

Carrie Yamaoka, 14.125 by 11.875 (black and white #1), 2014, Reflective mylar, cast flexible urethane resin, mixed media, 14.125 x 11.875 in. Photo: Stephen Takacs

 

LEFT WALL: Nancy Brooks Brody, West/South, 90° Line 2018, Metal embedded into sheetrock wall
20 ft x 1 ¼ in; LEFT FLOOR: Nancy Brooks Brody Cement Shoes 2018 (from a series beginning in 2001), Leather shoes, concrete 5 x 12 x 10 in.
RIGHT WALL: Carrie Yamaoka, 36 by 36 (clear #2) 2010, Reflective mylar and urethane resin on wood
panel, 36 x 36 in; RIGHT FLOOR: Joy Episalla, skins 1-5, 2001-2018, Cotton, Dimensions variable. Photo: Stephen Takacs

 

Carrie Yamaoka, 36 by 36 (clear #2) 2010, Reflective mylar and urethane resin on wood
panel, 36 x 36 in. Photo: Stephen Takacs

 

Joy Episalla, skins 1-5, 2001-2018, Cotton, Dimensions variable. Photo: Stephen Takacs

 

LEFT WALL: Nancy Brooks Brody, Circles (black grey red) 2019, Enamel on metal embedded into sheetrock wall, 4 in diameter each. 
RIGHT WALL: Zoe Leonard, Untitled, 2016, Gelatin silver print, 16 x 13 ½ in / 40.6 x 33.7 cm.
FLOOR: Joy Episalla, skins 1-5, 2001-2018, Cotton, Dimensions variable. Photo: Stephen Takacs

 

Zoe Leonard, Untitled, 2016, Gelatin silver print, 16 x 13 ½ in / 40.6 x 33.7 cm. Photo: Stephen Takacs

 

Nancy Brooks Brody, Circles (black grey red) 2019, Enamel on metal embedded into sheetrock wall, 4 in diameter each. Photo: Stephen Takacs

 

Nancy Brooks Brody, Circles (black grey) 2019, Enamel on metal embedded into sheetrock wall, 4 in diameter each. Photo: Stephen Takacs

 

CLOCKWISE FROM MIDDLE: Carrie Yamaoka, Nancy Brooks Brody, Joy Episalla. Photo: Stephen Takacs

 

Nancy Brooks Brody, Sex Ad – Butter Rum, 2001, Gouache and pencil on Village Voice sex ad page, 16 x 13 in framed. Photo: Stephen Takacs

 

CLOCKWISE FROM LEFT: Joy Episalla, Nancy Brooks Brody, Nancy Brooks Brody, Joy Episalla. Photo: Stephen Takacs

 

Nancy Brooks Brody, Double Lines #2, 2018, Thread on paper, 26 x 20 in. Photo: Stephen Takacs

 

CLOCKWISE FROM LEFT: Carrie Yamaoka, Nancy Brooks Brody, Joy Episalla, Nancy Brooks Brody, Nancy Brooks Brody. Photo: Stephen Takacs

 

Joy Episalla, garage 13, 1989/2015, Pigment print on brushed aluminum, 40 x 70 x 6 in. Photo: Stephen Takacs

 

Nancy Brooks Brody, Cement Shoes, 2018 (from a series beginning in 2001), Leather shoes, concrete 5 x 12 x 10 in. Photo: Stephen Takacs

 

CLOCKWISE FROM LEFT: Zoe Leonard, Nancy Brooks Brody, Zoe Leonard, Nancy Brooks Brody, Nancy Brooks Brody. Photo: Stephen Takacs

 

Zoe Leonard, New York Harbor I, 2016, Two gelatin silver prints, 27 x 17 1/8 in / 53.3 x 43.5 cm. Photo: Stephen Takacs

 

CLOCKWISE FROM LEFT: Zoe Leonard, Carrie Yamaoka, Joy Episalla. Photo: Stephen Takacs

 

Zoe Leonard, Crossing the Equator, 2016, Five pigment prints, 8 ½ x 10 ¾ in / 21.6 x 27.3 cm (each) Photo: Stephen Takacs

 

LEFT: Zoe Leonard, February 27, frame 30, 2012, Gelatin silver print, 14 x 9 ¾ in / 35.6 x 24.8 cm, © Zoe Leonard, Courtesy the artist, Hauser & Wirth and, Galerie Gisela Capitain, Cologne.
RIGHT: Nancy Brooks Brody, 4” Circle Removed, 2018, 4 in diameter.
Photo: Stephen Takacs

 

Zoe Leonard, February 27, frame 30, 2012, Gelatin silver print, 14 x 9 ¾ in / 35.6 x 24.8 cm, © Zoe Leonard, Courtesy the artist, Hauser & Wirth and, Galerie Gisela Capitain, Cologne. Photo: Stephen Takacs

 

LEFT: Carrie Yamaoka, Steal this Book #2, 1991/1993, Chemically altered unique silver gelatin print 22 x 26 framed. 
RIGHT: Nancy Brooks Brody, North/South, 10° Line, Removed, 2018, 16 ft x 1 ¼ in. Photo: Stephen Takacs

 

FROM LEFT TO RIGHT:
Joy Episalla, Les Psychanalystes et le Marché, 2019, Broadsheets.
Carrie Yamaoka, A is for Angel, 1991, Letraset and rubber cement on vellum, 17 x 14 in framed.
Carrie Yamaoka, 68 by 32 (lift-off), 2017, Reflective mylar, epoxy resin, and mixed media on wood panel, 68 x 32 in, Courtesy of Chandra and Jimmie Johnson
Carrie Yamaoka, 14.125 by 11.875 (black and white #1), 2014, Reflective mylar, cast flexible urethane resin, mixed media, 14.125 x 11.875 in.
Photo: Stephen Takacs